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This website was developed for the exhibition Irriṯitja Kuwarri Tjungu | Past & Present Together: Fifty Years of Papunya Tula Artists that was on view at the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia from 2021-23 and the Embassy of Australia in Washington, DC in 2024. It was made possible by our creative partnership with Papunya Tula Artists and the generous support of UVA Arts Council. Site design by Urban Fugitive for V21 Artspace.
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George Tjungurrayi

Mamultjunkunya
1999

The lines in this painting depicts the sandhills surrounding the claypan site known as Mamultjunkunya, on the west side of Wilkinkarra (Lake Mackay). The artist’s father passed away at this site. After rain the claypan becomes a freshwater lake. In the Tjukurrpa, two Tingarri men of the Tjangala and Tjapaltjarri kinship subsections camped at this site. They gathered the seeds known as mungilypa from the small fleshy sub-shrub tecticornia verrucosa. These seeds are ground into a paste which is cooked in the coals to form a type of unleavened bread.

When we paint, we don’t just paint trivial things. What we are painting are our family legacies. What belongs to us from our fathers, the country and our Dreaming story from our fathers. What belongs to us. We all do this. We all do this in the right way.

GEORGE TJUNGURRAYI

Language Group: Pintupi
Date: Born 1943

Born in the desert near Kiwirrkurra, George is the son of Natiki Kuli Tjapaltjarri and Witardia Nakamarra. George’s home site is Tjulyantjangka, and he paints Tingarri stories of this region in the classic Pintupi style of dotted grids and minimalistic lines. George travelled in from the desert, by way of Mt Doreen Station and Yuendumu. He travelled back west in 1962, acting as a guide for a Welfare Branch Patrol, finding his family who were still in the bush. His career as a painter began in West Camp Papunya in April 1976 and continued during the 1970s as he moved between Papunya, Yayayi, Waruwiya, and Mt Liebig. George settled in Kintore in the early 1980s, and his painting style changed, creating topographical lines in a minimalist style that became increasingly popular among contemporary art collectors. By the end of the 1990s, George Tjungurrayi was one of the most sought-after Papunya Tula painters, and his career as an artist is followed by his son Jack Tjapaltjarri, who began painting in 2004 under his father’s instruction. In 2018, his work was featured in the 21st Biennale of Sydney.

Are you related to this artist? Are you a scholar of artwork from the Papunya Tula movement? Please contact us at kluge-ruhe@virginia.edu if you would like to add something to this page or see something that is missing or incorrect.
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