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This website was developed for the exhibition Irriṯitja Kuwarri Tjungu | Past & Present Together: Fifty Years of Papunya Tula Artists that was on view at the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia from 2021-23 and the Embassy of Australia in Washington, DC in 2024. It was made possible by our creative partnership with Papunya Tula Artists and the generous support of UVA Arts Council. Site design by Urban Fugitive for V21 Artspace.
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Kaapa Tjampitjinpa

Dreaming at Mikantji
1975

In this work, Kaapa depicts the important Ngapa Tjukurrpa (Storm Dreaming) that ends at the sacred site of Mikantji. After creating a series of great storms, two ancestral men returned to Mikantji where they seeped into the earth creating a permanent water source. The circle in the middle is the main soakage, and the U shapes represent people seated there.

This painting is one of the ten works that was commissioned by the Aboriginal Arts Board for the exhibition Art of the First Australians, which toured the United States and Japan from 1976-1978. The commission heralded a new era of large-scale canvas paintings from Papunya. The larger surface enabled artists to explore the epic nature of their ancestral narratives.

In the Tjukurrpa, two old men sat, each at his own camp, hundreds of miles apart. They sang into existence all the different elements of a storm: lightning, thunder, clouds, wind, rain and hail. When all the elements had amassed they were sent off on a destructive path across the land. Descendants of these original rainmakers, and those associated with important sites along the storm’s path, have the knowledge and power to make rain by recreating the song of the original rainmakers.

They’re making rain, Tjampitjinpa, Tjangala, they’re singing. Tjakamarra, Tjupurrula too. After one week, you’ll see the clouds. From no clouds, you’ll see those clouds. Every way lightning, then a big wind, from the song. Start him raining now, the rain will come out. (Then they) bin turn back again, come right back to Mikanji. Altogether, whole lot. Everything all here long Mikantji. That Tjangala, Tjampitjimpa, all finish now, Tjakamarra, Tjupurrula and all.

KAAPA TJAMPITJINPA with JOHN KEAN

Language Groups: Anmatyerr, Warlpiri and Arrernte
Dates: 1926-1989

Kaapa Tjampitjinpa was an early figure in the Papunya painting movement and arguably the most significant in kickstarting it. He was one of the men to contribute to the famous Honey Ant mural on the Papunya School wall, tasked with retrieving sacred objects that depicted Honey Ant designs. He had previous experience painting with watercolor and began painting on board in early 1971. His role at Papunya called attention to the boundaries of custom. For example, he was one of the first Papunya Tula Artists to have female relatives help him produce his artworks. He also persuaded a local official to enter one of his works in the Caltex Art Award, which he won. As a result, he was the first desert artist to win a contemporary art award, which generated important early interest in the nascent movement. In 1972, he became the inaugural chairman of Papunya Tula Artists.

Are you related to this artist? Are you a scholar of artwork from the Papunya Tula movement? Please contact us at kluge-ruhe@virginia.edu if you would like to add something to this page or see something that is missing or incorrect.
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