My husband’s country that one. I remember him telling stories for that country. He used to talk about Tjilka, his country before he moved to Walungurru and Nyunman. Maybe early days traveling from Tjilka.
Language Group: Pintupi
Dates: 1927-1998
Mick Namarari Tjapaltjarri was one of the founding artists at Papunya. When the painting movement started in 1971, Mick Namarari’s work immediately stood out, as it signaled a departure from the traditional iconography of Pintupi painting, which included concentric circles and lines. He developed an abstract style on more expansive canvases, using striking undotted lines in his designs. In addition to varied stylistic approaches, he also had a diverse range of subjects, such as the site of Tjunginpa and a Dingo Tjukurrpa site at Nyumanu, southeast of Kintore. In 1991 he won the National Aboriginal Art Award and in 1994 he was awarded co-winner of the Alice Prize and inaugural winner of the Red Ochre Award. Throughout his career, he made over 700 paintings. After his passing, two of Mick Namarari's children, Angelina Nungarrayi and Peter Tjungurrayi, started painting in a style reminiscent of their father’s. In 2017 Mick Namarari was given a solo retrospective titled The Mysteries that Remain at the Kluge-Ruhe Aboriginal Art Collection. He is the subject of a major monograph, The Master from Marnpi, by Alec O'Halloran.
MICK NAMARARI TJAPALTJARRI, Ceremony at Tjilka, 1973
Synthetic polymer paint on composition board. 23 15/16 × 18 in. (60.8 × 45.72 cm). Kluge-Ruhe Aboriginal Art Collection of the University of Virginia, Gift of John W. Kluge, 1997. 1996.0002.002.
© estate of the artist licensed by Aboriginal Artists Agency Ltd for Papunya Tula Artists Pty Ltd.