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This website was developed for the exhibition Irriṯitja Kuwarri Tjungu | Past & Present Together: Fifty Years of Papunya Tula Artists that was on view at the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia from 2021-23 and the Embassy of Australia in Washington, DC in 2024. It was made possible by our creative partnership with Papunya Tula Artists and the generous support of UVA Arts Council. Site design by Urban Fugitive for V21 Artspace.
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Mick Namarari Tjapaltjarri

Family Moon Dreaming
1977

In 1978, Geoffrey Bardon requested that Namarari produce six paintings about the Moon Dreaming for his documentary film, Mick and the Moon, even though it was a subject he painted infrequently. Because it is a “public” story with less cultural restrictions, it allowed Namarari the freedom to improvise his designs, making them unique in his body of work. At the time, they were highly regarded by fellow artists for their artistic inventiveness, and today the other five works are held in important collections such as the National Gallery of Australia. In this particular work, Namarari shows four people, indicated by the U-shapes, gathered around a central sand painting of the moon, shown as the concentric circle in the middle.

I paint real slow, no rush, slow.

MICK NAMARARI TJAPALTJARRI

Language Group: Pintupi
Dates: 1927-1998

Mick Namarari Tjapaltjarri was one of the founding artists at Papunya. When the painting movement started in 1971, Mick Namarari’s work immediately stood out, as it signaled a departure from the traditional iconography of Pintupi painting, which included concentric circles and lines. He developed an abstract style on more expansive canvases, using striking undotted lines in his designs. In addition to varied stylistic approaches, he also had a diverse range of subjects, such as the site of Tjunginpa and a Dingo Tjukurrpa site at Nyumanu, southeast of Kintore. In 1991 he won the National Aboriginal Art Award and in 1994 he was awarded co-winner of the Alice Prize and inaugural winner of the Red Ochre Award. Throughout his career, he made over 700 paintings. After his passing, two of Mick Namarari's children, Angelina Nungarrayi and Peter Tjungurrayi, started painting in a style reminiscent of their father’s. In 2017 Mick Namarari was given a solo retrospective titled The Mysteries that Remain at the Kluge-Ruhe Aboriginal Art Collection.

Are you related to this artist? Are you a scholar of artwork from the Papunya Tula movement? Please contact us at kluge-ruhe@virginia.edu if you would like to add something to this page or see something that is missing or incorrect.
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