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This website was developed for the exhibition Irriṯitja Kuwarri Tjungu | Past & Present Together: Fifty Years of Papunya Tula Artists that was on view at the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia from 2021-23 and the Embassy of Australia in Washington, DC in 2024. It was made possible by our creative partnership with Papunya Tula Artists and the generous support of UVA Arts Council. Site design by Urban Fugitive for V21 Artspace.
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Uta Uta Tjangala

Tjitji Kutjarra (Two Boys at Yawarankunya)
1971

While Pintupi paintings explain the natural and spiritual features of the land, they are also filled with humor and joy. This painting depicts the site where the artist’s father died. It tells the story of two boys playing with their penises, shown as circles in the center of the work. As they joyfully discover their sexuality, their ejaculate (represented in white around them) creates claypans around their camps and their penises turned into two hills. While humorous, the artist described this creative act as goldarringu, meaning extremely valuable. The inclusion of two ceremonial boards on the right of the work is a further indication of the sacredness of this place.

My father was like a teacher. He was the one who taught the other men all about Ngurrapalangu. This man here, my father. He was showing them what he knew, sharing his knowledge and then he passed away. All these people, they knew my father could sing all the songs right through.

MORRIS JACKSON TJAMPITJINPA

Language Group: Pintupi
Dates: c. 1926-1990

Uta Uta Tjangala was born in Dovers Hills, far west of Papunya. In the late 1950s, he led his family to Ikuntji (Haasts Bluff) where they made their first contact with white Australians. He later moved to the nearby government settlement of Papunya where, in 1971, he became one of the founding members of the Western Desert painting movement. Uta Uta was an important agitator for the return to homelands and was instrumental in establishing the Pintupi outstation at Yayayi in 1973, which would eventually result in the establishment of permanent settlements at Walungurru (Kintore) and Kiwirrkurra. His 1981 painting, Yumari, has become one of the most highly regarded artworks of the Papunya Tula art movement and helped gain international interest in Australian Aboriginal art. In 1985, Uta Uta was awarded the National Aboriginal Art Award.

Are you related to this artist? Are you a scholar of artwork from the Papunya Tula movement? Please contact us at kluge-ruhe@virginia.edu if you would like to add something to this page or see something that is missing or incorrect.
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