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Ngaminya is here; close up, on the side of the road. The Tingarri Women cooked kampurarrpa for the young people, so the women made this place Kampurarrpa Tjukurrpa.
Rungkani, Tjamu Kapalilu, Mamaku yunkupayi. Pulingka marulu kaputunku ngayuku, tjamuku. (My descendants ground kampurarrpa. They were always giving food).
Language Groups: Pintupi and Ngaanyatjarra
Dates: 1938-1992
In 1966, Yanatjarri No. III Tjakamarra’s family journeyed from the Gibson desert to Papunya when they were found by Weapons Research Establishment (WRE) patrols. They were one of the last Pintupi families to relocate to Papunya from their ancestral lands. In his youth, Yanatjarri worked as a gardener and was an active supporter of Pintupi people building outstations in their homelands. Yanatjarri’s works mainly focus on mens’ sacred rituals as well as depictions of Tingarri stories such as the Snake Dreaming from Kulkuta, the outstation where he lived. His painting Tingari Cycle Dreaming at Paratjakulti (1989) was acquired by the Metropolitan Museum of Art in New York. Yanatjarri was also the first Australian Aboriginal artist to have a solo exhibition in New York, at the John Weber Gallery. His second wife, Katarra Butler Napaltjarri, also painted for Papunya Tula Artists.

YANATJARRI NO. III TJAKAMARRA, Women's Dreaming near Kiwirrkura, 1989
Synthetic polymer paint on canvas. 71 1/2 x 48 1/16 in. (181.6 x 122.1 cm). Kluge-Ruhe Aboriginal Art Collection of the University of Virginia, Gift of John W. Kluge, 1997. 1990.7024.001.
© estate of the artist licensed by Aboriginal Artists Agency Ltd for Papunya Tula Artists Pty Ltd.

Fred Myers with Yanatjarri No.III Tjakamarra and Shorty Bruno Tjangala, Yayayai, 1974.
© Fred Myers.
Photo by Es Giddy.

Yanatjarri No.III Tjakamarra painting the work Wapintjanya (1975).
Photo by Fred Myers.

Yanatjarri No.III Tjakamarra at Kintore, 1988.
Photo by Fred Myers.