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This website was developed for the exhibition Irriṯitja Kuwarri Tjungu | Past & Present Together: Fifty Years of Papunya Tula Artists that was on view at the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia from 2021-23 and the Embassy of Australia in Washington, DC in 2024. It was made possible by our creative partnership with Papunya Tula Artists and the generous support of UVA Arts Council. Site design by Urban Fugitive for V21 Artspace.
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Charlie Tjapangati

Pirrinya
2018

Pirrinya is a small swamp formed at certain times of the year by water from a soakage further northwest in Western Australia. There are several rocky hills nearby which also trap rain water that feeds into the swamp. In the Tjukurrpa, a large group of ancestral Tingarri men camped at this swamp before traveling east.

Charlie was seated on the verandah in front of the painting rooms when we arrived, at work on a large canvas. He was still drawing the main design in red on a black underpainting. I’ve had the chance to watch artists at various stages of the creation of works (and would have many more opportunities before this trip was over), but I realized I’d never seen this stage of the process before. Charlie worked rapidly and assuredly, and what I found most interesting was that after completing one stroke, he would quickly move his hand maybe two or three inches farther along the intended track of the line, lay down a short dash of paint, and then unhesitatingly fill in the space between that mark and the place where the previous brushstroke had ended. Then he’d move on another few inches, lay down another quick dash of the red paint, and connect it back to the previous stroke.

WILL OWEN

Language Group: Pintupi
Date: Born 1949

Born in the desert at Palipalintjanya to Mamutja Tjapanangka and Nangatji Napurrula, Charlie and his family arrived at Papunya in 1964. While living at Papunya, Charlie worked for rations on the construction of the settlement buildings and married Uta Uta Tjangala’s adopted daughter Nguninti (Nyumida) Nampitjinpa. Charlie began to paint for Papunya Tula Artists in 1977, and many of his paintings depict his country Pintupi and stories from the Tingarri cycle. Known for his large canvases and the unique silvery shimmer of many of his works, Charlie has traveled across the world to promote his artwork and the work of Papunya Tula Artists more generally. In 1982, Charlie moved to the Pintupi settlement of Kintore and spent the next decade living between Kintore and Kiwwirrkurra, spending time with various family members and painting daily for Papunya Tula Artists. Most recently, Charlie had a solo exhibition in Melbourne in 2002 and remains a leading Pintupi voice in the Papunya Tula artists community.

Biographical information sourced from Vivien Johnson, Lives of the Papunya Tula Artists. Alice Springs: IAD Press, 2008.

Are you related to this artist? Are you a scholar of artwork from the Papunya Tula movement? Please contact us at kluge-ruhe@virginia.edu if you would like to add something to this page or see something that is missing or incorrect.
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