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This website was developed for the exhibition Irriṯitja Kuwarri Tjungu | Past & Present Together: Fifty Years of Papunya Tula Artists that was on view at the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia from 2021-23 and the Embassy of Australia in Washington, DC in 2024. It was made possible by our creative partnership with Papunya Tula Artists and the generous support of UVA Arts Council. Site design by Urban Fugitive for V21 Artspace.
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Pansy Napangardi

Kungka Kutjarra (Two Women Dreaming)
1989

In this painting, Pansy depicts the story of Two Women, represented by repeated U shapes, who camped at multiple sites while they were chased across the desert by a lustful old man. This narrative connects women from the Central Desert with those of the Aṉangu Pitjantjatjara Yankunytjatjara Lands some 500 miles away.

I saw my uncle painting and I asked him, can you tell me my mother's Dreamings. I want to put them down. He started to tell me how: "You can put them like that, this is your mother's, this is your Dreaming, two women and one old man." I started, I was doing a painting. First I was painting but with glue and beans. After that I left glue and beans. I asked, "Where's my grandfather's country? They tell me, "Your grandfather's Dreaming at Hillbilly (Ilpili, Ehrenburg Range) and your mother's one is Bush Mulberry." So I paint my grandfather's, and my mothers Dreaming, that's all I am doing.

PANSY NAPANGARDI

Language Groups: Luritja and Warlpiri
Date: Born c. 1940

Pansy Napangardi and her family relocated to Papunya in the 1960s, where she witnessed the rise of the early painting movement. At Papunya, she would regularly observe the older artists working, such as Kaapa Tjampitjinpa and Johnny Warangkula. Because Papunya Tula Artists could not initially support women painters, Pansy painted independently until 1983. When finally accepted into the company, she became one of its leading painters. Unlike later women artists who adopted a more gestural style of painting, Pansy drew upon the established style of men painters at Papunya, while adding her own distinctive color and character. In 1989, Pansy was awarded first prize in the National Aboriginal and Torres Strait Islander Art Awards.

Are you related to this artist? Are you a scholar of artwork from the Papunya Tula movement? Please contact us at kluge-ruhe@virginia.edu if you would like to add something to this page or see something that is missing or incorrect.
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